'I see.' Amy nodded, spreading pate. 'So modern carvers try to make their work seem old.''After they've carved them out of bits of packing crates,' he confirmed, 'they stain them and drill worm-holes.''And they succeed? I mean, the things end up seeming old?'Paul nodded, his mouth full. 'Tourists and dealers buy them as antiques,' he explained when he had swallowed, 'take them back to Europe or America, and sell them for a huge profit.''Having bought them for peanuts?''Just about. And for those peanuts, all that marvellous talent -' he nodded down at the figure by Amy's plate - 'gets pinned down copying the past, instead of finding its own way.'Amy stared at him in admiration. What a wonderful way he had found to spend his father's money. Not only was he providing employment in a poor country - she was sure Mali must be poor - he was also helping craftsmen. No, she corrected herself, he was helping artists find the best way of using their talents.'So in Les Gemaux,' she began,
'You don't look old enough to be anybody's mother,' she blurted out before she could stop herself.'Nice of you to say so.' Betty, who had bent to greet Jim, straightened to accept the compliment. 'I sometimes feel a hundred. . .do come in out of the cold.' She stepped back through a glass inner door, adding over her shoulder as they followed, 'Marie's expecting you.'So she's called Marie then, Amy thought, and wondered why the name seemed vaguely familiar. Surely she had heard it before, quite recently?The outer lobby led into a big square hall, itself windowless but with doors leading off it to rooms bright-lit by the late-afternoon sun. A wide, handsome staircase rose to one side, and at the end of a short corridor another glass door showed through its frosted pane the outline of kitchen cupboards. Scents of coffee and baking drifted through the warm air.Paul commanded Jim to sit and the dog obeyed, though with a beseeching, walk-hungry stare. While Betty took their coats and hu
'Nice to have somebody to make them for,' Betty said. 'Marie eats hardly anything, and the men would demand sausage rolls.''Paul too?' Amy asked, reflecting again how little she knew of these small details of his everyday life.'They're ready in the kitchen for when he comes back,' Betty answered.The talk continued at that level, comfortable, undemanding, leaving Amy's mind free to wrestle with what she had just heard and try to make sense of it.Carol. Somewhere in Paul's life was a woman named Carol.Yet Grand'mere's absolutely positive that he likes me, she reflected. It was difficult not to draw hope and strength from the old lady's certainty, but she must be mistaken. Surely if it were true Paul would by now have shown his . . . his liking . . . one way or another?Whereas he avoids touching me, she thought, except for that one time when he was sorry for me . . .'. . .in zose days,' Grand'mere was saying, l Le Mali was French Ouest Africa. Zey were terrible, colonial times, bu
'You know what kids are,' he went on evenly.Yes, she knew. 'But why?' Remembering her thoughts of a moment ago, she glanced again at the little figure on the desk. 'I can see now that you do look Malian in some ways . . .''Peule,' he put in absently.Amy stared at him in bewilderment. 'Pearl? What on earth . . .''Or Fulani. It's the name of our particular African race.''I see.' She nodded sideways at the statue. 'Like that?''That's a stylized version of how a lot of us look, yes.''But not you, or only in -' she paused, looking for the right phrase - 'in sort of secondary ways. And you're no darker than many Europeans,' she added, remembering what he had just told her, 'so why Darky?''My father came to visit me once, early on.''And?''He's ... he was,' Paul corrected himself, 'much darker than me.''Little beasts. And Owen?' she asked. 'Inky?''From the day he started, he was Chinky.'Amy silently contemplated the boundless cruelty of children.'So we got together and worked ou
For a long time they lay like that without speaking. Then he shifted his weight off her and lay beside her, still close, still without speaking, and raised himself on one elbow. She put a finger on the hard, wonderful curve of his shoulder, and traced a line down to the swell of his biceps, which moved and rippled as his hand played some delightful game with her navel.'I thought you didn't like me,' she said at last.His hand stole from her navel to her breasts. 'I . . . like you very much.''I thought after you met Robert . . .''Amy, darling, living is making mistakes. I've made them too.''With women?'He didn't answer, but his hand left her breasts and pushed her damp hair away from her face.'Grand'mere,' Amy said, 'told me to ask you about someone called Carol.'He turned abruptly away from her and sat up against the old-fashioned mahogany bedhead. 'She was nobody. It was a long time ago.'Amy lay back, staring up at his straight, strong profile. Something had happened to her i
'So you won't make it?''I will. Luckily this lot were blank, or it would be more complicated.' She gestured uncertainly down at the phone. 'I hope you don't mind . . .''Of course not.''Thank you,' she said, meaning it. 'I've been ringing round the staff, finding who's got blanks to spare.''And?''Sue Norman at Faversham has, and Jane Gordon at Whitstable, and Dennis Hirst at Grove Ferry.' She paused, working out the best way to make the journey. 'If I drive to Faversham first, then to Whitstable, then to Grove Ferry . . .''That's some drive. Can I do any of it for you?'Amy shook her head. 'Thanks, but there's still my place to be checked.' She paused and glanced up at him, accepting that his day as well as hers had been wrecked. 'Would you mind going to Stribble on your own again?'She could have wept for their bright plans. She had so much looked forward to the time when, reports safely written and packed away, she would go back to her cottage with Paul late in the morning. The
So he's up there, she thought, whoever he is, and wanting the place dark so as to get away without being seen.She tried the lights a third time. Nothing happened; she presumed that whoever was in the lighting booth had turned off the master switch. From now on, the studio would stay dark.How huge it felt, a whole lightless world of space. Somewhere in the vast limbo she heard a quiet click which must be the lighting booth door opening. Then came a patter of feet on the steps, and with them a weird rustling and slithering like the movements of a giant snake. The smell of mothballs and linseed oil and vinegar was suddenly overwhelming.The coat, Amy thought. He has Paul's coat.The pattering and the slithering went on, coming lower and nearer while adrenalin-fuelled ideas zigzagged across her mind like lightning flashes. She must get some light in here somehow. Apart from this main entrance where she stood, the studio had several other ways out, she must get a look at this person befo
Debby gave her a timid, grateful smile. 'But then Col says it ain't fair to Jim, an' then Jim's 'urt, an' then Jill Gann next door . . .''Jill?' Amy had a brief vision of the lanky thirteen-year-old who last Monday in the drama room had eaten the crisps which were her entire lunch. 'How is she?' Amy asked, knowing now that the poor child had to eat for two.Debby shrugged. 'All right.' As well as can be expected, she meant. 'She memorized your address from a envelope you threw away.''Why did she do that?''She thought she'd write to you if she got desperate.' Debby's forefinger drew sunwise patterns on the black shine of the table. 'Seeing you're a soft touch . . .''A what}' Outraged, Amy jerked upright in her chair. 'I am no such thing!' She turned on Paul. 'What are you smiling at?''Nothing. Maybe,' he told Debby, 'you could have put that a bit more tactfully.'The girl stared back at him, out of her depth. 'Miss gave Jill a pound . . .''She was hungry,' Amy said.'She spent it