How long will he remain unconscious?Jenny...Frank...Where are they?Inside the building, it's all but dark.Cigarette lighter...Mitch rummages in the pocket for the lighter. Flicking on the pale flame, moving as quickly as she dares, she heads as best she can in the direction of the roof-light, searching for the way down."Jenny... are you there, Baby? Talk to Mommy..."But there's only silence.Along a corridor, door after door; decaying offices, an ancient canteen...A stairway.It's pitch blackness she descends, calling... "Jenny? Talk to me, Baby. Jenny, tell Mommy where you are..."She's here: the cellar. A canvas and chain bundle lies on the cold floor, soundless, unmoving."Frank?" He moans as she touches him through the canvas. "Frank, it's me. It's Mitch. We're getting out of here."She fumbles at the chains circled around him then dashes back outside, stepping over the unconscious body en route. Grabbing the chain-cutters, she sprints back insi
JAMESThe door closes behind us, the latch dropping, but from behind us, clearly audible, "How could you, you bastard? How could you...""Don't you fucking talk to me like that, you bitch. You were the one doing all the lying. Lying all these years. You knew she was...""She's my daughter and you made me leave her..." The last word ends on a shriek, then a thump and a scream. "Frank, no!""My business ruined. One fucking dead-end job after another. No money. You fucked up my life, you bitch!"The next door along opens and a head pokes out; an old lady with blue-rinse hair and a face like a wrinkled apple. She takes us in with gimlet eyes then, "Don't mind me. I hear this too often. When I do, I leave my door open so she can run in here 'til the whiskey's worn off."From inside, another yell and a thump."That's enough," Michael mutters. "I'm not having this." He turns back, knocks on the door. "Mitch, open the door. It's Michael again."There's a shout, a male shout; a
CHARLOTTESpit it out.*Deep breath*"I have two husbands. Michael is the one with his name on the marriage certificate. James is the other."The single open eye blinks. "That's... novel. How does that work then? Having two men competing for your attention?" My mother swipes a hand through her hair. "I thought I knew all there was to know in that area, but it seems you've broken new ground.""They don't compete. They're very different. Good friends, but different."She's trying to frown, but the swelling won't let her. "How? In what way different?"I'm not used to having to account for myself this way. I've never had to do it. Never any 'Yes, Mama' or 'No, Papa'. But this is my mother.I want her to approve of me. Of what I'm doing. Of how I live. Of how I have chosen to live.I want her to like my two husbands."Michael's... well... you've seen him in action. He's... likeable. Everyone likes him. He cares. He doesn't always have a lot to say, but he shows it in oth
JAMESMitch's mouth draws open. The glass almost slips from her hand. "Larry? You've spoken with Larry? But he's in prison. I saw it on the news.""Yes, but Charlotte visits him. Michael and I go with her to be sure we know what's happening."Mitch stands. "Why? Why would she visit him? Why would Jenny want to see him?""She was trying to find you. She hoped he'd be able to tell her something that would lead her to you."Mitch lets out air, stares into space. "Was he very cruel to her? When she was small..."She's not ready for that...But I don't know what else to say. So, I don't reply. An emerald gaze shifts to mine. "You think silence protects me? When I know that I could have reached her... Gotten her out of there?""Mitch, I don't think you need the details. Not yet. Charlotte... your Jenny... She grew up. She's a fine woman. An exceptional woman. Brave. Intelligent. Beautiful. Her childhood may have been harrowing, but it formed her; forged her into what she i
MICHAELAngling her; her hips, her entrance, he holds her poised above him so he can thrust, withdraw, thrust, withdraw...I slip out from the sheets, moving to watch the show from behind: her pale ass and peachy cheeks, his cock glistening as he pumps her...Her rear entrance, dark rose.That will do nicely...She's gasping and gulping, crying out rhythmically as her body rocks and sways and jolts.Sucking a long finger, I press it to her long enough that she registers I'm there, then push in, winding circles, scrolling out as I go. Her cries have an edge. An urgency. James is fucking her pussy but I have the rest. I spiral harder, stretching and opening, loving the noises she's making.Her ass is mine.I slap, connecting with a cheek in a crack that ripples flesh and stings my hand. I rub, then slap again, watching a scarlet palm-print rise satisfyingly on one side then the other.Lube...She shudders at the wet chill, but I press to her, then into her. James m
MICHAELI stand, resisting the blow-out on my belly. "Shall we go?" I gesture to the door, then trying not to be obvious about it, let out my belt a notch.Too many pancakes...Mitch rises. Charlotte too, but James snags her by the elbow. "Help me with the clearing up please, Charlotte.""But Mas...""You can load up the dishwasher."I lead Mitch out. She follows but twists back, looking to the house. "Where are we going?""To the hotel. It's just a short walk.""Hotel? James said something about that.""It's a spa and leisure centre. You know, gym, pool, pamper days, beauty treatments.""It's yours?""Yes, but not just mine. Come on, I'll introduce you to the staff, then you can use any of the facilities you like." I cast an eye over her; beautiful, but she looks so tired. "I'd say you could use some pampering."She shifts under my gaze. "What are you looking at?""You." Her head inclines. "They used to say before you marry a woman, take a look at the mother.
KLEMPNERMy door stands open and a figure in uniform appears, Sutcliffe. He taps knuckles, quietly, onto the metal. "Mr Klempner, do you have a moment?"Lying on the bed, I lower my novel. "I have no other appointments today, Sutcliffe. What can I do for you?"His eyes dart right and left along the corridor then he steps inside the cell. "Sir, that woman you're interested in... They've found her."Jolting, I drop the book to the floor, then swing my legs down to sit upright. "Her? Mitch? Michelle Kimberley?""Yes, sir.""Where is she?""With them."With them?"Them? You mean Summerford and Alexanders?""Yes, sir. She's with them and... and your daughter..." He speaks the last word uncertainly. "... She's staying in their home.""The place in the mountains?""So I understand, sir."I pluck at a lip. "Why would she do that?" I'm not really talking to Sutcliffe, but he replies anyway."If they're the long-lost mother and daughter, that might be reason enough."
JAMESI scrape a hand over my face.It feels unreal.Reality hasn't settled in.A father again?At my age?A baby girl?A little boy?Red-headed and fiery?Dark like me?Doesn't matter...Beautiful whatever...She gave me this.And so did he.*****MICHAELI ease the bedroom door open, look inside.They're there, lying together on the bed. Normally she would be curled into the crook of his arm, but this time, he's lying across her, head pillowed on her breasts, stroking her belly."I still can't believe you did this for me. That you chose to do this.""You did everything for me, Master, up to and including saving my life. I wanted to give something back.""Oh, you did. Something precious. Something very precious." He falls silent, still stroking.Beautiful...As quietly as I can, I back out and close the door again.*****RICHARDThe elevator doors swish open and I stroll in. "Morning, Francis.""Good morning, Richard.""Anything fo