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21.

21.

We can sense Trent deep in the basement of his own mind. He’s built a room down there, with a door impossible for us to unlock, but we can peer through the keyhole. The walls are covered with posters of David Bowie and Marilyn Monroe (always a fan of vintage, dear Trent), and a torn leather couch dominates the floor, facing a widescreen television that plays clips from classic films, music videos, memories of Carrie kissing him all over in that wintery bed. By sifting through the abandoned files in Trent’s hippocampus, we determine this is a replica of his basement at home, his safe space from life’s chaos.

For what it’s worth, we whisper through the keyhole, we’re sorry about this.

Screw off, Trent says, his eyes never leaving the television.

We promise you can come out. You won’t be deleted.

Yeah, right. I told you to screw off.

We leave him down there. If he’s unwilling to cooperate, his fortress can serve as a prison. Let him watch through the keyhole as we take his
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