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Chapter 35

Painted in 1562, Bruegel's depiction of this subject of Lucifer falling with his fallen angels is taken from a passage from Revelation 12, and reveals the artist's profound debt to Hieronymus Bosch. This is shown through the grotesque, ugly or distorted, figures painted as half-human and half-apocalyptic creatures.

Lucifer was designed to be a perfect angel. He fell from heaven because of his pride and rebellion against God's divine plan, which was to appoint Jesus as the people's savior. Lucifer coerced one-third of the angels to follow his lead in the rebellion and to assist in appointing him to be the new "God." The sin of pride caused the fall of Lucifer and his companions and resulted in the "war in heaven." The archangel Michael was given the duty to drive Lucifer and the fallen angels out of heaven. The conflict of good and evil as well as vice and virtue are constant recurring themes throughout Bruegel's work.

The painting is a split landscape with the top port

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